04/10/2012

Fashion’s Lifecycle Revisited

Fashion’s Lifecycle Revisited

After an unparalleled age of affluenza, in which the rat race of obsessive materialism reigned supreme, the irrepressible desire for more appears to have become a relic of the past. That is, for an ever-increasing group of conscious fashionistas who have made re-evaluating their consumption habits a priority.
 In tandem with the persistent economical malaise and growing environmental concerns, the practice of downshifting and lowering our individual carbon footprint has become a mainstream paradigm.


In the field of fashion and retail, examples of this alternative, more sustainable modus operandi are ample and diverse. 
For example, today’s vogue for vintage, in the form of re-using old clothes, whereby items are almost magically elevated from ‘rags to riches’, embodies today’s practice of recycling par excellence. In fact, rummaging through flea markets, luxury consignment shops or vintage boutiques in the hopes of finding a vintage treasure, has moved from a niche market to become the habitual realm of the everyday shopper. 
Upgrading or customizing used clothes, by converting already worn clothes into new materials or entirely unique, new items, also coined as ‘upcycling’, are similarly high on the rise. As such, most vintage stores offer a selection of these types of re-constructed, re-commodified apparel. 
It is a different, more durable outlook on fashion that Martin Margiela, dubbed by iconic fashion critic Suzy Menkes as “fashion’s founding father of recycling”, already initiated with his clothing in the late 1980s, as a means to let fashion re-think its role and function.

Additionally, the manual, démodé act of knitting, stitching and seaming, in bygone times the ultimate praxis of domesticity and femininity, has equally become a peaceable pastime for a growing group of (mostly) women. In result, this busyness is occasionally organized collaboratively via knitting collectives or through the numerous Etsy Labs that are coordinated worldwide.


Ethical, self-reliant Do-It-Yourself fashion, as subrogate for clothing that is mass manufactured by use of dangerous chemicals, is more in style than ever.
 By the same token, the manufacture of ‘green’, eco fashions have become thriving industries in contemporary time. Accordingly, the urge to reduce environmental degradation has set a new imperative for today’s entire fashion hemisphere. 
Organic denim label Nudie Jeans takes the sustainable creed a step further by lengthening the lifespan of their garments, by means of repairing – entirely free of charge – one’s old pair of Nudie denim. In addition, clients can trade in their used Nudie jeans to let it be recycled or re-sold as second hand. In line with this development, many shoe stores have begun a similar strategy, whereby clients acquire discount when they hand in their old, worn out pairs to let them be recycled. 
Prolonging the lifespan of clothing and thus extending fashion’s lifecycle has as such, become the new mandate. In view of these progressions, the traditional, ruthless, capitalist mode of producing apparel, has surely reached its lifespan.

Claire van den Berg

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01/10/2012

Chloé’s Kaleidoscopic Attitudes

Chloé’s Kaleidoscopic Attitudes

To celebrate its 60th birthday, La Maison Chloé presents an exhibition retracing the history of its passions. Chloé Attitudes is a path through memories, insights and inspirations of a brand able to give birth to iconic and influential styles. The show, which is now on view at the amazing space of Palais de Tokyo, features archive objects, never-published shots and drawings by renowned artists, along with sketches of selected pieces by Chloé’s creative roster, the nine top designers who glamorized the brand years by years: from the founder Gaby Aghion, through Gérard Pipart, Maxime de La Falaise, Karl Lagerfeld, Martine Sitbon, Stella McCartney, Phoebe Philo, Hannah MacGibbon, to the present Clare Waight Keller.



To accompany the tracking of attitudes displayed by the fashion house, 2DM’s talent Carolina Melis – an Italian illustrator and art director, based in London and with an international professional background that led her to invent moving pictures for major clients such as Prada, Vogue Japan, Sony, Barclays (just to mention a few) – was commissioned to design and direct an original animation spotlighting the unique colours and textiles, which have always characterize lady Chloé. To do this, once again, Carolina turned to a charming and hypnotic tool: the Kaleidoscope that gives theme and title to the film. Images that remind magnetic mandala, rotating geometric figures and coloured patterns pinpointing beautiful symmetric compositions – virtually – made of embroideries, crêpe de chine, cotton popeline, chiffon floating to the tune of Colleen’s sound track creating multiple reflections.

As a gift for all vintage lovers, the Maison will re-edit some emblematic items, which will be available in Chloé boutiques from February 2013. Among the artists who interpreted the key moments of Chloé’s flair we are proud to count Sandra Suy with her romantic and alluring illustrations such as the Top Ananas by Stella McCartney, the Violin by Karl Lagerfeld, or the virginal A-line blouse by Phoebe Philo.

Chloé Attitudes will run until 18th November 2012 at Palais de Tokyo, 13 av du Président Wilson, 16th. M° Iéna. If you turn up there, don’t miss it!

Monica Lombardi – Illustrations Carolina Melis & Sandra Suy

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27/09/2012

Fashion Week Live

Fashion Week Live

New York and London are well behind us, and Milano just hit the finishing line to hand over the baton to Paris. During these fashion weeks we’ve noticed that it has never been so easy to follow the runway, even without a front row ticket. That digital aspect – on not only fashion in general, but fashion week per se – has been an up-going trend for seasons, is a fact. Though, how far will this digitalization take the democratization of fashion?

Over the past seasons the number of live-streamed fashion shows has increased. Some brands distribute the work to external sites while others tie it closer to the brand and make the digital a part of their identity. Burberry is a great example of a brand that has been awarded and recognized for their digital communication, which has been given a lot of thought and place on the agenda. From an extensive social media presence to special projects like Art Of The Trench and Burberry Acoustics, the company has been sort of ‘pioneer’ on many levels. With live comments and both 3D and 2D shows, the brand has also been holding the torch when it comes to fashion week live streams.

Fashion is becoming more democratic, whether you in some areas are speaking of the aesthetics and in others of the access to it in the very same minute as the editors, buyers and bloggers on the front row. Over the last seasons we have seen cases where the audience in front of their laptop screens have been able to see the looks even few seconds before they hit the runway. The online audience often get a better and more detailed view, and their comments are broadcasted over the Internet long before the front row has even left the venue.

The discussion of live streaming and direct access for the “non-authorized” is interesting from many aspects. To engage and include the audience through digital platforms has been a natural step, and it’s now so wide-spread that it quite frankly does no longer feel as an option not to be considered. But if everyone ‘gains access’ to fashion week, where is the exclusivity? Or does a front row ticket, which gives one access to the full experience, today, become even more exclusive? Maybe it’s a question of preferences, but a sure thing is that the fashion week audience never has been as large, or wide, as it is today.

Lisa Olsson Hjerpe – Image courtesy of style.com

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20/09/2012

Stone Island Presents Archivio ’982 – ’012

Stone Island Presents Archivio ’982 – ’012

Over the past 30 years Stone Island has built up an immense archive of garments: 20 000 pieces to be more exact. After the preview in Florence earlier this year, the brand is tonight hosting an event in their Milano store to present Archivio ’982 – ’012 – a book containing 300 images of their iconic sportswear and three decades of skills and know-how.


In June The Blogazine had the honour of meeting Carlo Rivetti, the creative director, CEO and strong entrepreneur behind Stone Island. At that moment the discussion was about Stone Island 30, a fantastic exhibition that we in many ways see as the ‘live version’ of the book. Or the stone as mr Rivetti calls it. “Well, if you have seen the book you know that it’s really a stone – so heavy!” we recall him telling us with laughter.


From the introductory words by Carlo Rivetti to the in-depth descriptions next to each picture, chronologically following from 1982 to 2012, one understands how much this archive of history means for Stone Island. Archivio ’982 – ’012 is a story through images and gives the studious a lot to take in regarding brand DNA, high technological techniques, fabrics and colours, and 30 years of sophisticated sportswear collections. When turning the pages in this image archive, it is an apparel history lesson. In the same time it shows how many of the garments, standing alone or sometimes even as a complete look, seem to be sort of timeless (well okay, maybe with a few adjustments).

Someone once told us about a writer who put lead in the cover of his book to make it appear heavier and therefore more important. Stone Island has instead filled its book with a story important enough in itself, making sure it will stand out among the books on the coffee table.


Archivio ‘982 – ’012 will after tonight’s presentation in Milan also be presented in Verona, Rome and London and will be for sale in bookshops and libraries as well as from Stone Island’s flagship stores and main retailers worldwide

Lisa Olsson Hjerpe – Image courtesy of Stone Island

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19/09/2012

Emerging Trends from the Big Apple; NY Fashion Week

Emerging Trends from the Big Apple; NY FW

Winter is nearing, but for all of those involved in the fashion industry, next summer is hot on the agenda. It’s the time for designers, whether it is well established fashion houses or new creative talent, to show their Spring/Summer 2013 collections on the runways.
 Buyers, designers, fashion editors and bloggers are eager to spot the latest trends and hottest looks. 
Here at The Blogazine, we’ve been following the NY fashion shows and have analyzed some key emerging trends.

Think mixed florals and patterns from head to toe, bold black and white statements, 60’s, 80’s and 90’s grunge make a clear comeback. Military and utility are still strong influences and for sure, the future is still very orange!


MILITARY, ORANGE, FLORAL


DIGITAL:
As many of us are in a constant digital environment, the Proenza Schouler collection zoomed in on the world wide web, blurring pixelated images from Google Earth to create random flashes of our technological universe.

MM6:
Almost Angelic, Maison Martin Margiela’s diffusion line MM6 revealed a flowing relaxed basic collection. Sporty influences were apparent and unexpected details created the signature MM6 avant-garde approach.

60′S
:
60’s silhouettes are a predominant look among many designers. Marc Jacobs takes a look back to the Mod scene and NY Factory hip hang out. Where as Michael Kors brings a 60s mod look with a nautical twist, bold primary colours in graphic stripes look fresh and chic.

BLACK & WHITE:
Black and white came in many forms, from the 60’s but in new dimensions at Marc Jacobs, whilst at Alexander Wang, cut out and deconstruction in crisp white fabrics and leather teamed with American sportswear & baseball uniforms created a sharp urban look. Jeremy Laing presented a slick monochrome line in sporty crisp decontructed silhouettes.

80’S
:
Remember the days of bopping about to Culture Club and Bananarama? This era was played homage to by Alexandre Herchcovitch, capturing Boy George’s signature style. Marc by Marc Jacobs‘ line was a fun lean on 80s club wear, rag-tied heads, clashing checks and stripes and paper-bag waisted trousers. He Was Really Sayin’ Somethin’.

Tamsin Cook

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14/09/2012

Honest By: A Pioneering Fashion Philosophy

Honest By: A Pioneering Fashion Philosophy

Antwerp fashion designer Bruno Pieters already had a well-established resume, having been appointed as art-director for Hugo Boss and having worked with esteemed labels such as Maison Martin Margiela and Christian Lacroix. A success he ultimately consolidated with the launch of his own label. Yet for his latest project, Pieters decided to resign his label and take a different, more sustainable spin.

Having spent a sabbatical in India, he became captured by the realisation that native Indian people were dressed in clothes that were grown, constructed and sewn solely from resources they could identify around them. It was in view of this that he began to question whether a similar way of operating could also be applicable to western manufacturing and business practices.

As such, from the beginning of this year Pieters propelled Honest By, a high fashion label premised on the concept of complete and utter transparency. In doing so, it has become the world’s first company to share the complete cost breakdown of its products, down to details as materials, labels, thread, as well as the carbon footprint of each produced item. If that isn’t commendable by itself, all vestures are additionally eco- and animal friendly.

With limited edition pieces of about 50 designs for both men and women, he has remained faithful to his lineament of sharp, androgynous construction lines, albeit nuanced with a touch of smoothness to his aesthetic. But also by circulation, other designers such as Calla, Muriée and Nicolas Andreas Taralis, are invited to create a green item for the Honest By collection (of which 20% of the profits will go to a charity appointed by the guest designer).

Bruno Pieters has taken with Honest By a revolutionary approach to fashion, creating a new role model for not just the fashion industry, but also for other industries worldwide.

Claire van den Berg

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11/09/2012

Fashionably Biking

Fashionably Biking

Every city has them – the urban chic boys and girls, wheeling along the lanes or zigzagging through traffic on a sleek bicycle. Whether the suit is matched with sneakers or kitten heels, whether the bicycle is vintage cool, sporty or high-end manufactured, it is clear that the bike as a fashion attire is what completes the perfect city look rather than being a distraction from it.

There are numbers of bicycles on the market being of high-end quality, high-end branded and high technological but yet keeping a simple design with the perfect amount of vintage and cool. Further, there might not be another accessory making any outfit look more effortless and smart. Talking about benefits, there are with no doubts a few found in being a ‘biker’; getting from point A to point B whenever you say, without dependence on anyone else, for a starter. Men and women from New York to Amsterdam are taking the saddle from work to the bar, swishing by pedestrians and pleasing street style photographers. No one is longer startled by the look of a financier arriving to the office on his bicycle or a dress and heels matched with metallic and steel.


To place the cherry on the top, being a chic biker is also an eco-friendly take on life, even though if we point a finger or two, one can always wonder how many of those bikes are in reality just fashionable attires. Like any trend, this one could reach its high and then slowly pedal its way out of fashion again, but for some reason it has been lodging here for quite some while now.

Hopefully the seasons will pass but the bicycling gentlemen and women remain, making the bike a phenomenon of not only fashion, but environmentally responsive mean of transportation.


Lisa Olsson Hjerpe – Images from a Bill Cunningham video

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06/09/2012

Slow Trends

Slow Trends

The expression of slow fashion, like sustainability or eco fashion, is nothing new to anyone. Making precious collections of fine quality that will last more than a season has become important for large fashion houses as well as young brands building their whole identity on the concept. The care for sustainable fashion is up for constant discussion, in the same time as fast fashion moves as rapidly. Two concepts working in separate ends of the industry where the essence of time is central within them both.

Time might be today’s essential luxury “item” – taking that extra space away from the everyday hassle, but also looking at it from another angle: what time gives back through craftsmanship and production that favour long lasting quality. In an industry where the time carousel spins so fast that some stores even present new partial collections every week, do people have time to wait? And further, are they ready to pay more? Truth is that time is often a pricey story, and when people say they can’t afford the high quality fashion, should the coin just be turned around saying it’s all about buying less cheap and easily consumed products in favour of the slow ones? If one believes forecasters that are what the trends are pointing to. “It is our desire to make more use of styles that we are already familiar with, and instead add a new and surprising twist to those things,” said trend specialist Ulla Skjødt prior to the passed season. So, is the industry ready to let the trend cycle run longer?

Skjødt talks about a period in which trends are pointing towards a slowdown, and on the site slowfashionhouse.com the slow concept includes not only fashion but also living and – what they say is the Italian “foremother” – slow food. If forecasters are right, maybe the new luxury is not only a window of time every now and then, or luxurious quality that you will value for not only one season, but forever. Maybe the endeavour should be about the luxury of being able to live slowly, from fashion to food.

Lisa Olsson Hjerpe – Image courtesy of RFF/Ruediger Glatz & ELLA

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31/08/2012

Well-dressed in Stockholm

Well-dressed in Stockholm

Inaugurated by H.R.H. Swedish Crown Princess Victoria and with a larger than ever presence by both Swedish and international press, Mercedes-Benz Fashion Week captured Stockholm for three days with its Swedish minimalism, tailoring and style. Giants and well-rooted designers like Filippa K, Whyred, J.Lindeberg, Cheap Monday, Hope, Dagmar and Tiger of Sweden shared the runway with couture design by Fadi el Khoury and international hopes like ALTEWAISAOME (and about 20 other designers). The Blogazine followed MBFW Stockholm to see the Swedish fashion scene’s contribution to the S/S 2013 collection.



The official opening show was honoured to the name of Fadi el Khoury, one of Sweden’s few couture artists. If you have ever visited Château de Versailles, you recognize the soft tones of ivory and golden details that he brought to the collection. Less couture but always as safe and precise were the well-made collections from Filippa K. With quality and accuracy of fit the brand’s Nordic minimalism leaves every women as well as man well-attired. Tiger of Sweden brought up the baseball cap matched with a trench coat or slim fitted jacket and J.Lindeberg worked the short length trouser suits for men, and what will become a must-have leather jacket from the women’s collection. Whyred showed a few it-items, Hope continues to attract both the forty something woman as well as the young it-girls and The Local Firm brought top model Emma Wiklund back to the runway.


Cheap Monday showed out in the open, and gave all of their fans the opportunity to partake, a democratic choice by the brand that flirts with every young Swede. Instagram got to be part of the mood board when the photo application got its filters on the show by Ida Sjöstedt, who created a dreamy S/S13 runway under a rainbow. Two designers coming from Italian fashion houses and now showing their fourth collection in Stockholm are the girls behind ALTEWAISAOME. Mixing Scandinavian simplicity with international high fashion, they might be one of the young brands with most expectations from international visitors.

No matter how many or how few brands one mentions after a few days in Stockholm, the sum of impressions will end up about the same; a minimalistic take on each season with the style, class and prestige in doing things well always present. In the same time, the Swedish fashion scene makes sure that there is just a leap between office chic and street cool.


Lisa Olsson Hjerpe – Image courtesy of Mercedes-Benz Fashion Week Stockholm

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28/08/2012

Scandinavian Fashion Battle

Scandinavian Fashion Battle

Beautiful shows, extravagant parties, exhibitions and events – fashion weeks bring the glitz to the industry and everyone is fighting for their share of the publicity cake. Scandinavia’s two largest fashion cities, Copenhagen and Stockholm, both gain attention internationally, but the approach to the fashion week differs. Copenhagen just finished its turn a couple of weeks ago, while Stockholm is just entering its second, and final, fashion week with Mercedes-Benz Stockholm edition. Which is the right way to go, and – who is the customer to please?


With over 2 700 brands represented, Copenhagen Fashion Week can count themselves as the second largest fashion city after Paris, if one solely measures it on the number of brands. By creating an all-in-one week, where the designer runway shows and four competing trade fairs are getting along and are sharing the attention of press and buyers, the biannual fashion week in Copenhagen surely is Scandinavia’s largest fashion gathering. Though, even if Stockholm’s fashion events might be minor to numbers, the city isn’t far after when it comes to publicity for its fashion scene. Stockholm has become famous for its sleek design aesthetics, recognizable all around the world.

That Stockholm doesn’t reach the same numbers of attending brands, buyers and press in one single event, might be the fact that Mercedes-Benz Fashion Week Stockholm has just started, just over a week after the Stockholm Fashion Week ended. Add a special week for retailer collections, and Stockholm is counting six fashion weeks per year, in comparison with most cities doing only two. Which is the right or wrong way of carrying out fashion weeks and events might be up to the individual stakeholder to decide, or the amount of actual business carried out, but it remains to ponder if the separate weeks are a strategy of dividing the scene into more manageable blocks, or is it a sign of organizations not being able to collaborate? “We’re proud of being based and showing in Stockholm, but it is for sure confusing that Stockholm chooses to organize multiple fashion weeks. Not only for the press and buyers coming from abroad, but for the own market as well,” said two designers that The Blogazine spoke to.


Copenhagen’s well organized and collaborative intense one-week, or Stockholm’s separated events arranged by different organizations with slightly different focuses; if the ending point is all about business, who gains the most at the end of the day? The buyers who are getting it all-in-one or the brands sharing the time and space? Or is the most important thing to bring attention to the cities and their fashion as a whole? Whichever is right and whoever wins the battle of numbers, both cities are bringing a large amount of publicity to the growing Scandinavian fashion. This week, The Blogazine is following the runway in Stockholm while preparing for a month of nothing but fashion. September is almost here.

Lisa Olsson Hjerpe

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