11/06/2014

There Is Something About Thomas Tait

Last week Thomas Tait was announced winner of the inaugural LVMH prize sealing his position as fashion world’s newest darling. Being selected as winner among 12 creative finalists by a prestigious jury that included designers Karl Lagerfeld, Raf Simons, Nicolas Ghesquière and Marc Jacobs, must mean there is clearly something about the clever Mr. Tait. But what?

The native Canadian has previously attained a technical diploma from Collage La Salle in Montreal. He began his career in 2010 after graduating as the youngest graduate ever from London’s Central Saint Martins, an indisputable hub of fashion talents. Tait’s graduation collection was shown in London during AW 2010 runway shows and introduced his particular focus on geometric shapes and basic colors. While he often restrains to black and white, Tait’s designs are made playful and frisky by slightly oversized shapes and exaggerated lines. The play with geometry of the garments became Tait’s signature trait, seen on his later collections where the color scheme remained unchanged, but different materials and processes were applied to create movement and structure – such as pleats mixed with smooth counterparts on skirt designs.

In his first spring collection the designer added more colors, with pastels and a mix of materials used to create a layered yet relaxed sportswear look – with sports as the operative word for all of Tait’s collections. With each season, bolder colors and more exaggerated shapes were used in direct reference to the neon trend and the idea of merging future with the present. However, just as we managed to wrap our mind around Tait’s designs, the new SS 2014 collection showcased an unpredictable and entirely new train of thought. The features he previously treated separately – namely, colors and shapes – were fused together under his distinctive aesthetics, perpetually reinventing pieces that have become staples in his work.

Thomas Tait has a certain je ne sais quoi, as the French put it, that charges his apparently simple designs with a bold personality – a personality able to tell a story in many different languages and styles. The constant ability to rework what has already been done, might just be the characteristics that made him stand out among the 12 finalists. Turning something expected into an unexpected treat is a very special kind of gift – almost as if you were spinning straw into gold.

Victoria Edman 
Share: Facebook,  Twitter  
11/10/2012

The Founders of Fashion

The Founders of Fashion

This year Christian Dior celebrates 65 years in business, long after the fashion house founder left the building. Cristóbal Balenciaga is being honoured with an exhibition in Paris 40 years after his death and Jil Sander steps back into the role as head designer of her eponymous brand. There are dozens of fashion brands that are famous for the name of the person that gave it its first stamp, whether that person is still in his or her seat. How important are these ‘fashion founder’ names for their respective brands? And is the status of the fashion houses paying homage to their founders as much as to their current createurs?

Take aside everyone with special interest in fashion. How many really knows the name of the designer behind Dior today? Average Jane does for sure know the name Christian Dior, she probably buys both his make-up and perfume as well. But the name of Dior might be as important to everyone who actually knows Raf Simons as well. Dior, Yves Saint Laurent, Pierre Balmain, Emilio Pucci, Kenzo Takada and all their friends – they breathe fashion excellence. Some of the great names are still alive; some are still even with their companies. These designers have shaped much of what the business is today, and whether they smile or turn in their graves over what their successors are doing to their lines, every garment entering the runway is carrying their names and their heritage.

When Alexander McQueen, a much younger ‘genius’, tragically passed away, the death of the brand was up for immediate discussion. Even if there’s probably a few years left before anything can be told for certain, Sarah Burton is keeping the brand floating – McQueen isn’t a name that anyone will let slip away without a fight. It must be a fine balance to sustain between honouring the name you work for and staying true to your own design aesthetics, while making business happen. “If you don’t know your history, you have no future” are the words of Jil Sander who for many years has seen collections in her name being directed by someone else.

Is it the stories of old Paris and Italian family companies deriving from leather producers that add to the myth and status of today’s giants? Is it the impact that these designers once made, or is it smart business? Is this a phenomenon of the past, or will we in the future be as nostalgic about Marc Jacobs, Stella McCartney, Thomas Tait and their younger friends? No matter what the answer might be, the names that still inspire awe in us have made a contribution to the beauty of things we still see today.

Lisa Olsson Hjerpe – Image courtesy of Patrick Demarchelier (Dior Couture)

Share: Facebook,  Twitter  
28/03/2012

The Talented – Thomas Tait

The Talented – Thomas Tait

You know his name. You know he’s the youngest graduate ever from the MA Fashion Design course at Central Saint Martins and you probably know that the Montréal-native Londoner Thomas Tait received the Dorchester Fashion Prize back in 2010. And you most definitely know that he’s one of the top must-see-designers showing during London Fashion Week.

Tait wasn’t raised in the midst of fashion, nor did he find his calling precociously. But he was never content with the looks surrounding him, neither those on the streets nor those in the vintage shops in downtown Montreal. So he set to work. And once firmly on the fashion path, he earned a technical design diploma at La Salle College and then found his way onto the London scene. And it’s a scene he seems to have mastered since he was one of very few CSM graduates chosen to debut during London Fashion Week 2010.

Being involved in every part of the creative process, from designing to pattern construction and sewing the pieces together, Thomas Tait has gone from sharp cuts and all black, to whites and pastels matched with trainers for spring, to a Fall 2012 collection presenting wardrobe classics in scenic moss greens, dark navy and mustard colored leather.

But make no mistake: though the coats and jackets may have classical names, their shapes and cuts are as technically complex and worked over as ever. Curvilinear silhouettes and well defined shapes with low-cut or folded up high collars join to form a collection where the Tait’s aesthetics were well incorporated with aspects of wearability, an aspect that the designer at times have been criticized for when creating ‘too’ much of a structured figure.

Only three collections in, he seems to be working his way towards something that can balance his initially angular nature of silhouettes (starting from a fascination with shoulder blades and pelvic bones) with something that will fit the female body beautifully at the end of the day.

He is still young, and according to what he says, not yet ready to be categorized as a proponent of a certain aesthetic as far as the word “minimalist” is concerned. Clean collections with technical complexity behind them are reasonable to expect, but the Thomas Tait woman will surely continue to develop alongside his progress as a designer. And whether you yourself partake in London fashion scene or not, Thomas Tait is most assuredly a name you will come across again.

 

Lisa Olsson Hjerpe & pictures courtesy of style.com  

Share: Facebook,  Twitter